After the death of his wife, former civil servant Henri Rousseau takes up painting full time. Coming across as a rarified boob, Russell's version of Rousseau could best be described as an accidental master. Most of his canvases are crackpot versions of reality as seen through the eyes of a naïve painter, and his loneliness and lack of worldly perspective really amplifies his applied amateurishness. Russell treats this tale as sadly comic, and there are many jokes and jibes as Rousseau's expense. In fact, there is such a lighthearted atmosphere here that when we finally view the artist's best known masterpiece - "The Sleeping Gypsy" - it comes as quite a shock. Indeed, many of Russell's films purposely demystify the legendary, showing them just as capable of flaws and foibles as us mere humans. Indeed, as he continued on in his career, the filmmaker would make such an approach his main raison d'etra. Much of his work here can be seen as the basis for Women in Love, Tommy, and his ultimate classical rock god goof, Listzomania. 　　A dramatised portrait of the painter Henri Rousseau (1844-1910), known popularly as 'Le Douanier' because of his day job as a Customs clerk (he never reached the level implied by the nickname), both the film's best-known title and the one that actually appears on screen (Henri Rousseau: Sunday Painter) refer to the fact that his art had to be produced in his spare time, even after retirement. 　　Rousseau is played by the painter James Lloyd, the subject of an earlier Ken Russell Monitor documentary whose own career as a misunderstood naïve painter had many similarities. As Russell later told his biographer John Baxter, "He helped a lot with the atmosphere and the actors, because professionals have to adopt a different attitude when they're with someone like that. They can't do their 'acting' bit." 　　It was Russell's first fully dramatised biopic, without either the restrictions imposed by Monitor's former editor Huw Wheldon or the complex film-within-a-film framework of The Debussy Film. Here, the actors use their own voices (Lloyd's Cheshire accent neatly paralleling Rousseau's provincial Breton) or, in Annette Robertson's case, are dubbed by a male voice to create an unsettlingly androgynous Alfred Jarry. The film also reunited Russell with Melvyn Bragg and Oliver Reed, who wrote and delivered the understated commentary. 　　Given Russell's own battles with both critics and producers, it's tempting to assume that Always on Sunday is exorcising personal demons, as the film is both by and about artists who operate on instinct, frequently puting them at odds with the expectations of the mainstream establishment. Although Russell had had a much easier ride than Rousseau (at least up to this point), his work had already undergone much criticism and creative interference.

The life and thoughts of an Enlightenment philosopher who suffered from chronic restlessness. A detailed biography which places special emphasis on his most influential texts and commemorates his tercentenary birthday. Using "Les confessions" as the leitmotif, the film alternates between readings by actor Roger Jendly, encounters with international experts and musings on Rousseau's travel destinations. Its manner does not conform to today's tempo, but rather seems to follow the rhythm of a thought as it unfolds, resulting in an inevitably dense portrait on the extraordinary life of one of the leading French philosophers of the Enlightenment.

倾听历史老人诉说！回眸百年经典瞬间！解说：赵忠祥/宋 轶 　　本片是中央电视台迎接二十一世纪的献礼片、全片共五十二集，三百六十二期，每期五分钟，约一千八百分钟。是迄今为止反映百年中国历史最为全面完整的文献纪录片，其篇幅之宏伟，资料之丰富,视点之独到在电视界中也属史无前例。 　　本片的主题：通过对中国二十世纪的回顾反映一个民族的现代化史。 　　本片的风格追求：从中国大历史的角度．立体化反映中华民族的百年历程在历史中发现诗意追求可触摸的历史。

倾听历史老人诉说！回眸百年经典瞬间！解说：赵忠祥/宋 轶 　　本片是中央电视台迎接二十一世纪的献礼片、全片共五十二集，三百六十二期，每期五分钟，约一千八百分钟。是迄今为止反映百年中国历史最为全面完整的文献纪录片，其篇幅之宏伟，资料之丰富,视点之独到在电视界中也属史无前例。 　　本片的主题：通过对中国二十世纪的回顾反映一个民族的现代化史。 　　本片的风格追求：从中国大历史的角度．立体化反映中华民族的百年历程在历史中发现诗意追求可触摸的历史。

这家酒吧叫Horace and Pete，开了一百年，这一个世纪由历代的Horace和Pete来经营。这家年迈的酒馆在光鲜的布鲁克林似乎已经过气了，现在的主人也如同这家疲倦的酒馆一样。Horace离过婚，没有固定女友，跟子女处理不好关系；Pete一辈子都在这家酒吧里，有精神疾病，一旦停药就会失控。还有他们的叔叔、姐姐、前妻、爷爷的前女友、不定期的床伴以及定期的老顾客，构成了属于这家酒馆的百年江湖。

这家酒吧叫Horace and Pete，开了一百年，这一个世纪由历代的Horace和Pete来经营。这家年迈的酒馆在光鲜的布鲁克林似乎已经过气了，现在的主人也如同这家疲倦的酒馆一样。Horace离过婚，没有固定女友，跟子女处理不好关系；Pete一辈子都在这家酒吧里，有精神疾病，一旦停药就会失控。还有他们的叔叔、姐姐、前妻、爷爷的前女友、不定期的床伴以及定期的老顾客，构成了属于这家酒馆的百年江湖。

這個系列是在探索美國主要的音樂生態的歷史.我們追溯到音樂在美國文化的發展, 　　他在1920年代至1940年代中期這段黃金時期的流行達至巔峰,無論是在他原始的形式 　　和當時流行的韻律或是現代新音樂形式的流行. 在這段期間的沿革,我們聽到了這些 　　對音樂有主要貢獻的音樂家和他們的作品,像是 Louis Armstrong, Duke Ellington, 　　Billie Holiday, Benny Goodman, Charlie "Bird" Parker 和其他許多幫助制定 　　爵士樂成為像今日一樣振動響亮的音樂形式,甚至,我們看到了音樂在歷史上的演變 　　如何反映在美國公眾的政治和社會型態 　　全套10DVD完整记录了爵士乐的历史及发展。 　　介绍各种爵士音乐类型、爵士音乐之简历、风格、特质、乐器、著名歌手或音乐家简介。 　　此外，也详尽介绍了相关电影资讯，包含剧情、场景及时代背景等。 　　Ken Burns' Jazz, Episode 1: Gumbo, Beginnings to 1917 　　Ken Burns' Jazz, Episode 2: The Gift, 1917-1924 　　Ken Burns' Jazz, Episode 3: Our Language, 1924-1928 　　Ken Burns' Jazz, Episode 4: The True Welcome, 1929-1935 　　Ken Burns' Jazz, Episode 5: Swing - Pure Pleasure, 1935-1937 　　Ken Burns' Jazz, Episode 6: Swing - The Velocity of Celebration, 1937-1939 　　Ken Burns' Jazz, Episode 7: Dedicated to Chaos, 1940-1945 　　Ken Burns' Jazz, Episode 8: Risk, 1945-1946 　　Ken Burns' Jazz, Episode 9: The Adventure, 1956-1961 　　Ken Burns' Jazz, Episode 10: A Masterpiece by Midnight, 1961-Present

這個系列是在探索美國主要的音樂生態的歷史.我們追溯到音樂在美國文化的發展, 　　他在1920年代至1940年代中期這段黃金時期的流行達至巔峰,無論是在他原始的形式 　　和當時流行的韻律或是現代新音樂形式的流行. 在這段期間的沿革,我們聽到了這些 　　對音樂有主要貢獻的音樂家和他們的作品,像是 Louis Armstrong, Duke Ellington, 　　Billie Holiday, Benny Goodman, Charlie "Bird" Parker 和其他許多幫助制定 　　爵士樂成為像今日一樣振動響亮的音樂形式,甚至,我們看到了音樂在歷史上的演變 　　如何反映在美國公眾的政治和社會型態 　　全套10DVD完整记录了爵士乐的历史及发展。 　　介绍各种爵士音乐类型、爵士音乐之简历、风格、特质、乐器、著名歌手或音乐家简介。 　　此外，也详尽介绍了相关电影资讯，包含剧情、场景及时代背景等。 　　Ken Burns' Jazz, Episode 1: Gumbo, Beginnings to 1917 　　Ken Burns' Jazz, Episode 2: The Gift, 1917-1924 　　Ken Burns' Jazz, Episode 3: Our Language, 1924-1928 　　Ken Burns' Jazz, Episode 4: The True Welcome, 1929-1935 　　Ken Burns' Jazz, Episode 5: Swing - Pure Pleasure, 1935-1937 　　Ken Burns' Jazz, Episode 6: Swing - The Velocity of Celebration, 1937-1939 　　Ken Burns' Jazz, Episode 7: Dedicated to Chaos, 1940-1945 　　Ken Burns' Jazz, Episode 8: Risk, 1945-1946 　　Ken Burns' Jazz, Episode 9: The Adventure, 1956-1961 　　Ken Burns' Jazz, Episode 10: A Masterpiece by Midnight, 1961-Present

CAST 　　杉本哲太／宇梶剛士／麻生祐未／桑原成吾

一群劫匪计划好了打劫瓦伦西亚一家银行。他们打算抢走尽可能多的保险箱，然后通过与废弃地下铁线路相连的隧道逃之夭夭。尽管事情表面上看起来如此，但是西班牙首相的新闻发言人发现了蹊跷：这群劫匪真正的目标其实是一个特定的保险箱——314号盒子，盒子里面装的是正处在昏迷状态的前政府官员Gonzalo Soriano留下的文件，涉及到政府的惊天秘密。然而劫匪们的计划出了意想不到的差错，隧道由于暴雨而被淹没，他们无处可逃。与此同时，尽管这次抢劫是按照当权政府的某些部门下达的指示而行事，银行的保安人员们并没有接到指示要放他们逃走……